The unconventional process of creating an original print with the copy machine is rather similar to that of a traditional colour lithograph. Each colour is drawn onto a separate sheet of paper. That colour is then printed onto each sheet of the edition. Once one colour has been completed, the printed sheets are loaded back into the machine and a sheet with another, separate colour is placed on the copy bed.
Homemade print in colours executed on an office colour copy machine
On Arches rag paper
Signed, dated and numbered from the edition of 50
With the artist’s chop mark
Printed and published by the artist
Sheet: 21.6 × 35.6 (8.5 × 14 in)
On Arches rag paper
Signed, dated and numbered from the edition of 50
With the artist’s chop mark
Printed and published by the artist
Sheet: 21.6 × 35.6 (8.5 × 14 in)
MCA Tokyo 318
In excellent condition
Within a white wooden frame
‘But with these copying machines, I can work by myself — indeed you virtually have to work by yourself; there’s nothing for anyone else to do — and I can work with great speed and responsiveness. In fact, this is the closest I’ve ever come in printing to what it’s like to paint: I can put something down, evaluate it, alter it, revise it, all in a matter of seconds. My interest in the [copying] machine was philosophical really,’ he explains. ‘I realised it was a printing machine and a camera of a new kind.’
